enough...

“I have enough”, said she,
​petulantly.

“Enough?”, said he.

The air was static,
​the exasperation evident,
​electric.

...

She wore a thin dress,
​far too thin for the cold.
​Thinner still, in my memory.

Sometimes I remember more than I have seen.

He was a man with a trumpet.
​He played to the tune of
​a dollar bill fluttering
​in his broken trumpet-case.

...

“He speaks to me”, said she.
​“What does he say?”, said he.
​“Nothing”, said she.
​“He tells you nothing?”, he asked.
​“Nothing”, she said.

I waited in the silence.
​The music was beautiful.
​That music punctured by her delightful drama.

“What does he say, exactly?”, asked he.
​“Nothing”, said she. 

“Nothing.”
​Said she.

She of that winter night. She of that dusty daze,
​and frightening ways.

He was her pillar. He was her god.

...

“But you said he speaks to you”, said he.
​“He does”, said she.

...

He began to pack his things.
​He put his trumpet in its case,
​with his money and his life,
​and locked it shut.

He left his music
​in the air that it was born,
​to die.

...

I waited in the silence once again.

She was enjoying the silence,
​just as much as she had, his music.

He gave her some money,
​which she refused.

“I have enough”, said she,
​petulantly.
​“Enough?”, said he.

...

I once knew a man
​who had had enough.

He was a man with a trumpet too,
​who’d play a strange kind of blue.

He died, in the subway, alone,
​with his music.

With his music alone.

She was different.
​She had enough,
​unlike he who’d had enough.

I waited in the electric silence.

...

“Do you hear him now?”, said she.
​“I hear nothing”, said he,
​petulantly.

Nothing.

What is the soul made of? What is the mind made of? What is the ego made of? What is the conscience made of? What are thoughts made of? What does it even mean to follow your heart? Can the heart think? Does the heart tell the brain what to think? Does the brain think? Or does the mind think? What is the mind made of? Does the mind consult the heart, before it uses the brain to process the language of the heart? I guess it does, I can feel it happen sometimes. It’s a little swell in the chest, the same swell that you feel in the lungs when you gasp for breath.

What is the answer? Nothing. They’re all constructs. We are taught these constructs, they are neither natural, nor obvious.

Do we need constructs? Why do we need constructs? What is an abstraction? Who provides the concretes? Is anything absolute? Are absolutes abstractions of ideals? Are ideals concretes? Are concretes ideal? 

Travel the world, they say. Find yourself. Get lost. Get drunk. Get a life. Find love. Get a job. Pray. Run. Eat. Sleep. Enjoy your coffee. Have a great day. Take care. Safe flight. They have a lot to say. These people, they have too much to say. Who are they? Who knows?

Why are we existential beings? Does existence crave validation? Can we provide it with the world we’ve created? Do we already? So what? What happens once we’re gone? Is life about finding the right answers? Or is life about asking the right questions? What happens if we ask the wrong questions? The answers exist despite us. It’s only the questions we can be proud of.

Who are you? That’s the big question, isn’t it? That’s what all this stuff is about anyway. The car, the job, the money, the lifestyle, the music, the movies, the art, the fashion. It’s who you are. Who are you without it all? Without stuff. So much stuff. Where did all this stuff come from? Who are you without your stuff? Are you your name? Just a name? Like a phone number with no phone? Are you what you do? Are you your job? Are you your thoughts? What are thoughts? Are you your choices? What choices are we left? Choice is only illusory anymore. We’re left the choice to go anywhere we please so long as we don’t leave the sandbox. Are we happy? Sure we are. I am. I’m profoundly happy. I’m happy to do it all, and I’m happy to play along. As long as I’m allowed to complain, I will also remain happy. Don’t take that away from me. It’s all I have. Besides all my stuff. And my name... and stuff.

The next time I’m asked to get a life, I might just take a life. Take care? What is it to “take” care? Is it like “taking” a life? And when you’re asked to “have” a nice day, can you just “have” it? Is it like having cake? Is it like eating cake? Can you have your cake and eat it too? Can you have your cake if you don’t eat it? They say these things. They say too many things. Don’t listen to them. You don’t even know who they are. Just be.

a meditation on sadness...

Lately, I've been chanting "I give up", a lot. To myself. I've moved on from my "I don't care" chant of old. It's progress. Backwards, maybe, but still progress. I don’t know.

I like playing with fire, so I light a candle, place it on the ledge by my window, and turn off the lights. The flame creates shadows, and the shadows whisper the poetry of the wind into my ears. It is all quite beautiful. I take my pocket notebook out of my pocket and burn it. Page after page, I feed the hungry wick of the incensed candle; self-doubt cured only by the fire's rage. Nothing is perfect, but perhaps vacillation is.

The pages burn slowly, and the ashes scatter into the night, turned shadow. Some ashes still carry the heroic orange glow of the relentless blaze, but the night stubs it just as quickly as it is met.

The fire forgives. The fire forgets. The fire extinguishes.

What was once a book full of my ideas, is now suddenly gone. There is nothing left, and I have nothing to show for what once was. Well, there is the lingering odor of burning paper, because my sweatshirt loves collecting odors. My sweatshirt remembers smell like the rain remembers first love. I remember some things I’d written in my notebook, but too little to matter. It is all somewhere within the mist of my mind though. I like retiring thoughts to my subconscious. And my subconscious never lets me down when I need it.

Slowly, an absence begins to manifest itself as an undefinable, haunting presence, and I feel the swell of life from every inward breath. I can hear myself breathe and I can feel my own body in the way that only loss can make you feel things.

The undeniable presence of this absence will forever haunt me. I have never felt anything so real, and yet so surreal. Loss has always jailed itself in the cavity of my chest, upon the ruins of my youth.

I love bringing things that don't belong together, together. And somehow, so does language, it would seem, like the people who once decided that trees will have barks. I take a photograph of the candle and I decide that some day I will pair it with its own tale, a story that only I know. I create all my work in pairs. One photograph and one piece of text inspired. But I want my work to date each other; so while I play god, I also play sadist (if they are both not one of the same agency) and I keep the soul mates apart for as long as they can be kept apart, allowing them to find each other only in desire. Yours, mine, and theirs.

There's a strength to simplicity and a beauty in the delicate. Expensive china with its intricate patterns are a beautiful sight, but do you know that feeling you get when you hold it in your hands? A little fear that it will go to pieces, should you falter? It's what makes the piece beautiful. It's what makes your heart melt. Fragility is special. The fleeting impermanence of everything is where my lust for insignificances will both begin and end. Fear of loss is the most honest emotion that I have ever felt, overshadowed only by loss itself.

My life is diluted by choice. By the choices I’ve made. On some days, it is enriched, but today, it is dilute. But I find beauty in sadness. Sadnesses are so unusually satisfying, albeit heart-wrenching, because they are so tangibly voyeuristic unto the soul– as if you can reach out and touch your own secrets, and weigh them down with a sigh.

See the world with your heart. Forget how it looks. Remember how it felt.

​All I want is a black cat to blame. They spoke of superstitions in those far-off places. Their doors were open but their minds were closed. Old women would curse me on the street as I took their pictures. If I were to believe them, my camera would be a repository of stolen souls. Wouldn’t that be something? Perhaps there are a few treasures in the old box, hidden where I haven’t looked.

We will die and we will not know it. And our gods are eternal, but only until the stone weathers and their features fade. It is tragic that humanity has been reduced to a condition. Our love is anodyne and our lovers are stoic; carved from an Italian marble and burned at the stake to no avail. Our price-tags are fireproof, our artists are castrated. We are yet to be challenged from beyond the grave, where our poets have gone to be free.

Poetry is a deliverance granted unto insignificances. It is why I love poetry. I am a connoisseur of the insignificant. I collect sun rays that have lost their way past a dense foliage, I collect them from the walls that they cling to, when they are afraid they might fall off. I collect spent cigarette butts crushed under the weight of their smokers, flat against the cold city floors. I collect them for they are adorned with lipstick kisses, and the weight of their sadness sinks my heart. 

I both love and hate where the world is headed. Machine-pressed, cutting-edge, gluten-free, farm-fed. I hate the word ‘organic’, it shouldn’t need to exist. Not on the stickers of my wax-polished apples from Fiji. Please leave my vegetables alone. And give me back my hand-written letters. A teardrop cannot stain an email. Marginalia is magical well past the enchantment of its own name. Nostalgia is a powerful motivator. Memory is an endless resource. Call me when the pages of your eBook are dog-eared. I will be waiting.

See the world with your heart. Forget how it looks. Remember how it felt. Pay attention to everything on the table. It is then that you might see time draped over the edge, melting, slowly dripping into obscurity. 

I like reading in the waning light. The fair pages whence the dark texts sleep, are now grey. As the sun dips into a slumber, your eyes begin to fatigue and your mind begins to wander. Then words image. It’s bad for your eyes, but great for your soul.

earring...

I found her crawling along the library floor.

I asked her if she'd lost something.

She'd lost her mind.

She was crawling along the library floor, without purpose, never searching.
A little piece of music draped gently down from her ears. It caught the light like a lover.

Imagine losing your imagination like they were earrings.

In her mind, she'd lost her mind.

watching...

The night was cold; colder still than the vacant gaze that held them strangely together. Perhaps it was the warmth of their bodies meeting in unspoken understanding like the light between two candles; a glorious golden wash floating to greet the shadows that threaten it. Confused, but cohesive. But it was each other’s blood that kept them warm. He did a splendid job of keeping hers at a petulant simmer. She did a fine job of not spilling her wine on his manicured suit, ostentatiously heavy in its fabric– thick as the hypocrisy it adorned. She sipped on the wine slowly, measuring every regretful drop that danced its way down her throat... Drops that could have explored every ugly crevice of his clean shaven face had she so fancied. Which she did; but she didn’t. She needed the drink more than she needed the satisfaction, I’d imagine. I was there. Watching. She played with the wine as it bathed her tongue and she waited as it washed down her dry throat, fighting to the bottom every honest word that tried to surface in its wake. Her tongue glimmered in the candlelight when she did speak; he watched in hatred as the crimson serpent weaved its voodoo veneer  and spit its venomous vengeance with a force so subtle that it vanished in vapor over the dry lakebed of what once was a delectable platter of vegetable vol-au-vents. She liked pastry. It was all that was right with the world. He listened with intent, but could hear nothing. She continued to flirt with her wine and he continued to pay for it. His head was a flurry of words he didn't understand. It reminded him of the unintelligible chatter of the bar. But the bar had a quality he envied. At the heart of the distinctly indistinct clamor was a voice. And it wasn’t his. He regretted it, but accepted it. He looked at her and wondered in silence as she sat there watching herself in the translucent glass walls that surrounded them. She hated mirrors. She couldn’t stand to see herself for who she really was. She knew it but it’s always different when you’re told something you already know. The mirror does. She fancied the translucence of the glass though. In the dishonest reflection of the glass walls were her dreams. Everything she aspired to. Everything she could have been. She looked in envy at the faces that stared back at her through the glass wall. The faces stared at her in envy for having a seat at the fancy establishment. They stared in envy at the gentleman in the fine suit. Envy pervaded the air like a virus. He knew it. He regarded everything with command, but he did it with disdain. He wondered why she sat there as she did. She was as wholly voluptuous as her hatred for him. She did not even wear enough fabric to conceal it. He wondered if her self-esteem was as low as her dress. He'd gotten to a point in his observation where his distractions had gotten the better of his judgement. So he blinked twice and returned to his drink. He felt his own lips move but he paid no attention to the sounds it made. They were merely sounds, he thought. He knew she hated him. He could feel her dislike precipitate in the air around him. Warm, moist hate, pasty against his oily skin. She knew he hated her. She could smell it through the thick of her perfume. Poison, they called it. The perfume, that is. She loved how it made her smell. He loved it too. It was the only thing about her that he did like. It sold for fifty dollars at the neighborhood Walgreens. About the cost of the wine and the food. He paid for it, and they left.

the moon is as near as the street lamps, tonight.

The philosophy by which I live my life, my code of existence, was handed down to me by the most fake, artificial person I have ever known. A fake persona, a ghost. That person does not exist anymore and I’m not being metaphorical, I’m being literal. I’m terrified by that truth.

It’s a simple one, her philosophy, rather obvious really. But at the time I needed to hear it, the ghost gave it to me, and it changed my life. Perhaps if I were religious, this ghost would be a god. But I’m not. This frightens me, and by as much effort on my psyche, I am thankful.

Anyway, that philosophy is mine now. And I throw it around sometimes. I hope whoever it hits thanks the ghost that threw it at them.

Today was one of those days. I heard the ocean call my name and I had to heed her call. I rode the train to Ocean Beach. I’ve always wondered about the off-white phosphorescence in the trains. It makes people look sick, almost jaundiced. But today was one of those days where I just wasn’t interested in the people. Don’t get me wrong, I love my strangers, I really do. But today they bored me. Today I did not care. I put on my headphones and let the music fight away my reality. Somewhere during my journey between wonder and heartbreak, the train stopped at Ocean Beach. It was the last stop. Otherwise, it might have been a very interesting train. “Ocean Beach”, the conductor called in a Chinese accent that betrayed a boredom drowned in alcohol. I like that name. Ocean Beach. 

It’s not a train per se, this weird hybrid that the San Francisco MUNI runs. It runs on tracks, but it follows the traffic rules when above ground, making it, effectively, a bus. So when I say the train stopped at Ocean Beach, just think of a bus parked curbside by the beach, in the dark, its silver sheen responding to the poetry of the moonlight. It was a full moon night. 

Just by the stop was a little cafe, where I stopped quickly for a hot chocolate. I carried it with me, through the dunes of sand, until I was directly facing the ocean, the city dark behind me, in the shadow of the massive sand dunes that San Francisco rests gently behind. I took a sip of chocolate, using the cup more for its warmth, than its content.

Orion was low in the sky, the way I’ve never seen it before, and I do keep my eye out for Orion because it is the only constellation I know. Every time that I trace the dots that form the hunter, from his head down to the bottom of his magnificent sword, I am filled with pride, a pride that accompanies a sense of accomplishment. But Orion was not the only spectacle in the sky tonight, the whole gang was out, the moon was full and the sky was cloudless as if dissolved in the moonlight. I was surprised at how the light from the city did not pollute the night sky, but Ocean Beach is all the way at the edge of the city, far from all the action. The air was frosty and damp. The waves crashed upon the shore without repose and the spectacle of the sound was reduced to a wet rumble from the ensemble. I missed the crisp, emotional crack of the lone, falling wave. I turned my back to the ocean and resumed looking at the stars. The moon was as near as the street lamps, tonight.

“So dark, indeed, the secrets that you keep”, came a voice from behind me. I turned around and saw the silhouettes of three people. The voice that spoke, was that of a man. I also saw another man, and a woman. He was not talking to me, or to anybody, really, as he stood looking at the bejeweled sky, but I answered anyway.

“Indeed.”, I said. “The nights are always the same, wherever you are. Everything is unified in darkness.”

“But we are walled by our secrets”, she said. “We may be unified, but we remain guarded from each other, by our own darknesses.”

I thought about that for a while. The three of them were from Europe, I assumed. I did not ask them, and I could not see their faces in the dark, but I could hear the German and French in their accents and the music in their voices. They smoked their cigarettes and listened to the waves. I could also hear the occasional car tearing through the Great Highway that stretches the length of the West Coast of the United States.

“What do you miss?”, one of them asked me.

“I miss being around”, I said. And they nodded and agreed before I could finish my sentence so I let the silence complete my thought.

I also thought about that for a while. I thought about everything I miss. I thought about what it means, to miss. “What do you miss?”, I asked the shadows.

“Oh, we miss everything, so far we’ve missed two trains and one plane, and soon we will miss the bus.”

I laughed, I think. I missed missing things for a while. Trains, planes, buses, appointments, birthdays, dinner. And so I thought about that for a while. One of them pointed to the horizon and said, “that’s where infinity begins”, and one of the others said, “or ends”.

I felt an absence that manifested itself as a haunting presence. It is a feeling that I both dread and love at the same time, I know it only too well. It creates a wound that I can then dip my quill in, drawing blood from it like it were ink from an inkwell. Inspiration, when it rises out of an emptiness, is tangible to me. It hurts, the wound really does hurt, when I draw from it. But it is what makes me happy. I missed my camera for a while, and then I pulled out my phone and took a picture.

They say that inspiration strikes. Yes it does, it strikes and it wounds and it tortures and it heals. I could feel a sneeze coming, and I really wished to savor it, so I shouted a goodbye to the retreating shadows and they shouted back as I sneezed. I watched as they disappeared past the dunes, leaving me alone once again.

“Don’t miss us”, the lady said.

hat.

“There was the distant call of a firetruck. I did not feel distress then, but I do now. I feel like I remember more than I saw. It is not my memory that deceives me, it is my conscious mind that does. Do you hear the chirping of the birds or do you hear my voice?”

“I hear it all, but I’m only listening to you. Keep talking.”

“I was standing in front of the glass panel by a storefront. It was a shop that sold hats. I love hats. I’ve stood at that window everyday, but have never gone inside. The hats catch the sun in the evenings. They cast their shadows on the wooden shelves. How I love those wooden shelves with their golden shimmer- like the sweat of caramel in candle light.”

“Sounds  lovely. Tell me something, why don’t you wear a hat?”

“I love the sun too much.”

She was a beautiful girl. I felt quite lucky talking to her. It was a Thursday. I remember it for no particular significance. She had broken into tears in front of a stranger– me– and being as awkward as I was, I did not know what to do. So I did nothing.

I was sitting by the street, on the stairs that lead up to my house. I had made a cup of chocolate to enjoy with the evening. I don’t remember if I was reading a book. If I did have one in my hands, I doubt I was reading it anyway. I love the smell of books more than I love books. But perhaps that is a lie. 

She was walking up the hill with her cycle by her side. I live on a hill far too steep for cycling. She needed a rest and I needed somebody to talk to. We exchanged artless smiles with our practiced pleasantries. She sat next to me and heaved a sigh. I had nothing to say so I said nothing. That is when she broke into tears. 

She was beautiful in her sorrow. Fragile like a thin sheet of glass shattered by a flower in the breeze. When she stopped crying I offered her a cup of chocolate. She told me she loved chocolate but hated its smell. I was disappointed, but at least it saved me a trip indoors. I waited in the silence, hoping for it to end.

It did. And it was wonderful. She never told me why she cried and I never asked. I’ve been cried to before, this felt like I was cried at. I don’t mind being cried at. We spoke of music she’d never heard and books I’d never read. I told her of places she’d never been and she told me of food I’d never tasted. An hour went by and with it, the sun. She stood up to leave and it hit me at that moment that I did not know her name. But I did not need it because I knew her by her laughter and her tears. She had not asked me for mine.

“Did you go inside?”, I mumbled absently. I looked at her. “The hat shop– did you go inside?”

“No”, she said.

“Why not?”

“There was no door. Just a window.”, she said as she walked into the night.

 

free.

I surveyed the German countryside from the second-class cabin of an InterCity Express that was tearing through the air from Hamburg to Cologne. The foliage near my window whizzed past me in a blur of chaotic leaves fighting canola fields triumphing in a glory of green-meets-yellow. The sky seen through the rush of those trees remained as still as my thoughts. No burning rage in the engine with the power of a thousand horses seemed to matter to those that watched us from above. No human progress could outrun the clouds as they cried upon the frail shoulders of the dying German countryside. The stars blinked in mockery and the planets watched with interest. I watched as a girl’s golden hair was set ablaze by the setting sun and returned to my book when my eyes had recovered. I could smell the rain. Not every pleasure is lost to the sterility of the German railroad. Have you ever watched as the rain pours in defiance of a mighty sunshine? There is a romance that comes with those tear-filled, dark clouds. Then, there is hope in the sunshine. And perhaps in those last sips of  the wine I was drinking from that awkward plastic cup, there was the metaphor of the sunset. Had I been ten years younger and twenty wiser, I might’ve pressed my face against the cold windowpane, my eyes perplexed in curious wonder, my nose making marks on the innocent glass, my mouth bereft of sin, lost in the reverie of an unfated life. I might’ve inspired the poet in a despondent man. I might’ve coerced a song from a drama queen. I might’ve won their hearts with nothing but an unmasked face and a genuine smile. But I was ten years older and twenty colder. I was afraid of what they’d think of me if I were to show them even the slightest little bit of myself. Her hair was not on fire anymore. There were other people in the cabin too. We could see each other through the corners of our eyes, veiled by the hypocrisy of our sunglasses, too egotistic to give each other the pleasure of interest. It was that fear again. A fear of being discovered. A fear that the plastic mask of my face, built from 20-years of wearing a new lie each day, would melt away and leave me transparent. Sometimes, when I look at myself in the mirror, I feel a jolt of that same fear because I know that the hypocrisy adorning my face has no place within the honesty of my moist eyes. And when I look into my own eyes I know that I haven’t changed much- it is only my face that changes. Sometimes, unrecognizably. I once held a razor blade to my face and drew more blood than I did hair. It left a scar in the wake of a beard that nested pungent memories. Today, that beard is back and it has outgrown those dusty days. Time is infinite and infinity is just time without a tale. And every tale is veiled by the hypocrisy of those damned RayBan Wayfarers. I took my sunglasses off. I hate people who wear sunglasses indoors. I returned to my book. I always have a book with me for when I have to take my sunglasses off and I always feign interest in my books because a photographer needs to see before he reads.
 

 

I reached for my camera to take a picture of those last whiffs of blue sky before the sun was stubbed by the night sky like a cigarette. The night was upon us and as if by the hand of god and the will of the devil, I was forced to contend with what my second-class cabin had to offer me. That second-class cabin of the InterCity Express that was tearing through the air from Hamburg to Cologne, stopping occasionally to feed on people who lived in cities named after cheeses. The hot-chocolate man brought me a cup of cocoa in a paper cup labelled “Starbucks”. I must say that my heart sank a little, but I enjoyed the chocolate as I always do. The deep blue hue of the twilight sky had transferred neatly to the aging skin of the velvety seats. The cushions looked like they were sulking, and I along with it. I looked outside but I could see nothing. Oddly enough, it was too bright inside for me to see anything outside. I was drowsy with a longing for sleep. I looked at the old man with the young face and the young woman with the golden hair. I wondered what they might see if they looked my way. They’d see a boy lost in the mist of his mystic music. They’d see a book with unwrinkled pages and and they’d remark how closely it resembled my face. They’d see the pen in my pocket, a pen that I never carry with me. A pen that was only in my pocket by chance. A chance that I had not taken. They’d look into my eyes and see my blood turn cold in fear. They’d see my eyes dart away in shame and they’d see me pretending to look at the scenery that flew past us all in the darkness. But they were not looking my way, at least not when I was looking their way. I hoped that they would though as I fully submitted myself to the quiet of that moment. I prayed to my own soul that they should see me as I press my face against the cold window-pane of that InterCity Express that was tearing through the air from Hamburg to Cologne, at 330 Km/h as indicated on the screen by the exit row. I cupped my hands around my face and stumbled forward to breathe the dusky air chilled by the glass window. There was a forest in the darkness. The moon was hidden away behind those tear-filled clouds that followed us. There was a white glow that lit up the tree-tops. I longed for the shadows as I feared the darkness. There I was, a face in a window, a shadow without a face. The air precipitated with the lust of the moment as I peeled away from the poetry and returned to sulk in my reverie. Everyone on the train had resigned to a poetic slumber. I watched as their chests heaved in unison. I did not need a mask anymore, I was free.

 

the beach...

the music of water, 
the texture of sun,
the weight of breath, the ticklish skin,
an ocean of dust.

having your cake and eating it too: a method

If you believe something(or believe in something) strongly enough, that, in itself, stands as a premise for bias, and that premise can consequentially discredit your open-mindedness about the subject at hand(or, often, the larger world). In other words, your mind must be closed for you to be able to actively participate in the agency of belief. This realization had dampened my spirits as a free-thinking individual, because I do not want my beliefs to get in the way of my discoveries. I like to think that I am an open-minded person, but I find myself extremely prejudiced against certain realities that I do not enjoy(or agree with). How can you be both strongly opinionated and open-minded at the same time? I was beginning to resign to the idea that perhaps I am not an open-minded person, after all. But I am extremely receptive to the new, the unexplored, the unseen, the unfelt. I am always ready for an adventure. I want to be an open-minded person.

I've spent a few nights occupied with this thought, grappling with this question of an "open mind". I have realized that my open-mindedness does not come from the possibility that I might be empty-headed or so embryonically sacrosanct in my value-judgements, that it is impossible for me to be wagered by egotism and its proclivity to endorse the superiority-complex of correctness(or being more correct than my immediate group, given a subject). It does, instead, come from being labelled a failure for such a long period of my life that the act of failure is second-nature to me and does not affect my disposition, especially when this failure is a mere deviation from the rules set by the status quo. I would hate to be a failure if I failed myself, but I don't really concern myself with any projected failure. My new method to open-mindedness is a readiness to fail, and a readiness to be wrong(which might escalate, through certain subjects that I might be personally invested in, to a readiness to be proven wrong). Innocent until proven guilty.

From the moment absurdity is recognized, it becomes a passion, the most harrowing of all. But whether or not one can live with one’s passions, whether or not one can accept their law, which is to burn the heart they simultaneously exalt - that is the whole question.
— Albert Camus, The Myth of Sisyphus and Other Essays

used books.

I bought a used copy of Walker Evans' American Photographs. I love used books. I like my books to feel read(probably because I might never get around to reading them). I like the fraying of the corners, the yellowing of the pages, the shelf-wear. I like the smell of age from the paper. I like the folding of the pages once used as book-markers.  But most of all, I love the secrets. They're all secrets.  Scratches, doodles, underlines. Names, dates, wishes. Scars, bookmarks, photographs. 

​I wonder about Christmas '95.

and Tony too.

I wonder about the photograph on page eleven.

or photographs, perhaps.

I wonder about Hilde​.

I wonder...​

raag shivanjali.

My tastes tend to prefer sweeter ragas, those that are delicate bordering on the tender, those that can melt as quickly as butter, those that are effortless in its unfolding. The ragas I have fallen in love with always feel obvious to me. Obvious in its shape, its form, its textures, its colors; obvious to my psyche the way that my name is obvious to my subconscious. I find beauty in familiarity and comfort, like everybody else. But, I also dislike stagnation with a staunchness that sometimes upsets the rhythm of my everyday, and oftentimes sends me scurrying across borders and over the foothills of the unfamiliar Himalayas.

​This is the first time I have experienced Raag Shivanjali. Shivanjali is as beautiful a raga as it is a name, but I only see the beauty after spending a very difficult time listening to it. In this performance, a majority of the improvisation is in the pursuit of comfort, the familiar cushion of the Tonic is rare, and something about the design of the raga keeps me from feeling the body-shattering resolution of the build-up/return to Sa. Because of this, my mind is pushed beyond familiarity for longer durations than I am used to, and the effect is profound. Triggers go off in unusual centers of my brain, and they linger because they have nowhere to go. Panditji also works repetition into the performance the way a masseuse would work repetitiously on a particularly sore muscle. I can only liken the hammering down of these notes upon those unusual centers of the brain, to the effect of an exceptionally feisty Kerala monsoon where the rain stings your bare back as your run for cover and hide under the wind-fraught trees. This likeness only remains metaphorical, the experience unfortunately, is inexplicable. Shivanjali is a mind-expanding raga– uncomfortable and addictive, like all addictions– but where a physical addiction might lead to mental discomfort, and a mental addiction might lead to physical discomfort, Shivanjali’s discomfort leads to a very tangible resolution where both your mind and body are challenged to the point of breathlessness, at which moment comfort is found in the air, comfort is found in the water, comfort is found in the silence of your empty thought– and the experience of being massaged, without ever being touched, is addictive.

If there is such pleasure in the unknown, whatever I roam the Earth searching for, I hope I never find it.